Charlotte
Turner Smith was born in 1749, and in 1764, married to Benjamin
Smith.
Benjamin Smith was a heavy drinker, bad gambler, and overall a lousy
husband. (Fletcher,
Charlotte and Ben proceeded to have twelve children. (Fletcher,
30-35) Ben was
horrible with finances, and the task of providing for the Smith family
fell upon
Charlotte.
She began writing, and eventually published numerous works
between the years of 1784 and
posthumously in 1807. She led a very harsh life, and was against
arranged marriages.
She attributed most of her misfortune to her marriage, likening herself
to a slave.
Charlotte Smith paved the way for many female
authors who were to follow her, and
helped to carve out the Gothic genre, an up and coming classification
of novels. What
child rearing meant to Charlotte Smith is a total devotion to her
children. She was the sole
bread winner, and continued to support them after they were married
with children of
their own.
Biography
of Charlotte Turner Smith
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CHILD
REARING COMPARISON / CONTRASTS OF DESMOND AND THE OLD MANOR HOUSE
Both novels had benefactors present: Mr. Bethel and
Mrs. Rayland. Both benefactors are consulted for advice, gave
advice readily, and took on parental responsibilities to both Desmond
and Orlando.
Mr. Bethel was very warm with Desmond, acting as a
father figure for him complete with advice and concern, and like a
father, he watches over Geraldine for Desmond even though he feels
Geraldine is a very unhealthy habit for Desmond. This is very
unlike Mrs. Rayland who is not a warm parental figure, but she was
consulted many times concerning Orlando. Her responsibilities as
a parent came when she set up Orlando with Rayland Hall. This was
actually the job of Mr. Somerive, Orlando's biological father, but he
was unable to do so.
Mr. Bethel doesn't have the power
issues that Mrs. Rayland had. He never held anything over
Desmond's head to keep him coming back around, and instead his concerns
and advice goes to Desmond with no strings attached. Desmond
keeps a very close relationship to him, and this demonstrates that
Desmond feels the respect and love that he would give a father.
Mrs. Rayland, however, has deep power issues. She believes that
if she relied on Orlando to come and visit her regularly without the
promise of money to come, then he would not regard her with respect or
even regard her at all. Mrs. Rayland never operates without
strings.
PARENTING
ACCORDING TO CHARLOTTE SMITH
Charlotte Smith wrote
Geraldine's character to be a near perfect woman. The only way
that Geraldine is not perfect is that she married Verney in the first
place. Smith felt that Geraldine sacrificing herself to Verney
for the sake of her children was very natural because she did it in her
own life. Motherhood was Smith's ultimate job, in
which the writing only supported her greatest assets - her
children.
Smith was adamantly against arranged marriages, or
"good matches," or marriage for profit. This is evident in
Geraldine, Orlando, Mrs. Rayland, and the Somerives. The whole
reason Mrs. Rayland looked down upon the Somerives is that they had the
nerve to marry for love, not money. Then, Smith proceeds to make
a slight baffoon out of Mrs. Rayland for being so
old-fashioned. This is demonstrated in Mrs. Rayland's letter in
which she tried to write it in an antiquated style, and the letter
looks ridiculous.
"I have received youre letter, and am oblidged by
your taking the troubbel to informe me of youre famely affairs, to the
wich I am
a sinceer goode wisher...I shoulde thinke a
pitye to put to a trade...However that may bee, I saie again..." (Old
Manor House, 102-3)